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Bartolome Esteban Murillo The Little Fruit Seller mk86
c.1670-1675
Oil on canvas
149x113cm
Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek
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Bartolome Esteban Murillo The Liberation of The Apostle peter from the Dungeon mk149
1667-70
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Bartolome Esteban Murillo Our Lady of the Immaculate Conception mk156
c.1645-50
Oil on canvas
235x196cm
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Bartolome Esteban Murillo Madonna and Child mk156
c.1655
Oil on canvas
155x105cm
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Bartolome Esteban Murillo Boy with a Dog mk156
1655-60
Oil oncanvs
70x60cm
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Bartolome Esteban Murillo Rest on the Flight into Egypt mk156
c.1665
Oil on canvas
136.5x179.5cm
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Bartolome Esteban Murillo Rest on the Flight into Egypt mk159
Oil on canvas
136.5x179.5cm
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Bartolome Esteban Murillo Boy with A Dog mk159
1650s
Oil on canvas
74x60cm
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Bartolome Esteban Murillo Mater Painful mk166
Prado Madrid
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Bartolome Esteban Murillo The Immaculate one of Aranjuez mk166
1650-1660 Painting al I wave Prado Madrid
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Bartolome Esteban Murillo The Anunciacion mk166
1655-1660 Painting al I wave 142x107.5cm
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Bartolome Esteban Murillo The Madonna and the Nino mk166
c. 1650 I Wave on cloth 155x107cm Galeria Palace Pitti Florence
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Bartolome Esteban Murillo The adoracion of the Kings mk166
1660-1665
Painting al I wave 190x146cm Museum of Art of Toledo, Toledo, Ohio
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Bartolome Esteban Murillo The flight to Egypt mk166
1670-1675
Painting al I wave 101x62cm Museum of Fine Arts Pushkin Moscu
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Bartolome Esteban Murillo A Peasant Boy Leaning on a sill mk170
1670-1680
Oil on canvas
52x38.5cm
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Bartolome Esteban Murillo Christ Healing the Paralytic at the Pool of Bethesda mk170
1667-1670
Oil on canvas
237x261cm
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Bartolome Esteban Murillo Grapes and melon eater mk186
around 1645/46 Munchen, old Pinakothek
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Bartolome Esteban Murillo Miracle of the Loaves and Fishes mk214
1667
Oil on canvas
335x550cm
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Bartolome Esteban Murillo Two Women at the window mk214
c.1655-60
Oil on canvas
124x104cm
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Bartolome Esteban Murillo The Angels- Kitchen nn09
1646
Oil on canvas
1.8x4.8m
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Bartolome Esteban Murillo
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Spanish
1618-1682
Bartolome Esteban Murillo Galleries
Murillo began his art studies under Juan del Castillo in Seville. Murillo became familiar with Flemish painting; the great commercial importance of Seville at the time ensured that he was also subject to influences from other regions. His first works were influenced by Zurbaran, Jusepe de Ribera and Alonso Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works.
In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. He returned to Seville in 1645. In that year, he painted thirteen canvases for the monastery of St. Francisco el Grande in Seville which gave his reputation a well-deserved boost. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialise in the themes that brought him his greatest successes, the Virgin and Child, and the Immaculate Conception.
After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect, Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa Mar??a la Blanca (completed in 1665), and others.
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